A couple of days ago I posted a long-exposure shot of a tiny little waterfall. The long exposure gives the water a velvety texture that long ago became a photographic cliche. You see it a lot in “Serenity” posters and the like.

But as you know, I like photographic cliches. In Southern California that means lots of sunsets, because we have pretty good sunsets there. Ireland doesn’t. The air is just too damn clean. That’s why you haven’t seen an Irish sunset from me yet.¹

Waterfalls are just the opposite. We don’t have a lot of those in Southern California, but you can hardly swing a dead sheep in Ireland without hitting one. So here’s another one: the Torc Waterfall, which is part of the Owengarriff river just before it empties into Muckross Lake. This time you get two views: an ordinary shot on the left and a long exposure on the right:

As I mentioned the other day, the big problem with the long-exposure picture is that it uses a long exposure. It takes about eight seconds to get the velvet effect, and since a typical exposure in daytime is around 1/500th of a second, this means the camera is getting about 4000 times more light than usual. That’s tough to deal with. I can usually drop my ISO setting a couple of stops, and reduce my aperture a couple of stops too. I can also apply a 64x neutral density (gray) filter. Altogether, that reduces the light coming into the camera by about 1000 times. So I’m still overexposed by 4x. Or even more if the sun is shining brightly.

This can be fixed in post-processing, but only up to a point. And it does change the look of the photo. Still, as you can see above, it doesn’t change it too much. In fact, depending on the setting and on your taste in photos, it can actually improve things sometimes.

Here’s another one. It’s a little downstream of the waterfall, and both pictures were taken from the exact same spot:

Anyway, that’s that. I happen to really like long exposure water pictures, and since I don’t get much chance to take them at home I’ve been making up for it here. I’ll post all of them at some point, but I’ll spare you any more for the next few weeks. Probably. After all, I’ve taken about 3,000 photos so far, so I have plenty of other good stuff to put up.

¹But I’ve got one or two good ones. Don’t worry. You’ll see one of them eventually.

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WE'LL BE BLUNT

It is astonishingly hard keeping a newsroom afloat these days, and we need to raise $253,000 in online donations quickly, by October 7.

The short of it: Last year, we had to cut $1 million from our budget so we could have any chance of breaking even by the time our fiscal year ended in June. And despite a huge rally from so many of you leading up to the deadline, we still came up a bit short on the whole. We can’t let that happen again. We have no wiggle room to begin with, and now we have a hole to dig out of.

Readers also told us to just give it to you straight when we need to ask for your support, and seeing how matter-of-factly explaining our inner workings, our challenges and finances, can bring more of you in has been a real silver lining. So our online membership lead, Brian, lays it all out for you in his personal, insider account (that literally puts his skin in the game!) of how urgent things are right now.

The upshot: Being able to rally $253,000 in donations over these next few weeks is vitally important simply because it is the number that keeps us right on track, helping make sure we don't end up with a bigger gap than can be filled again, helping us avoid any significant (and knowable) cash-flow crunches for now. We used to be more nonchalant about coming up short this time of year, thinking we can make it by the time June rolls around. Not anymore.

Because the in-depth journalism on underreported beats and unique perspectives on the daily news you turn to Mother Jones for is only possible because readers fund us. Corporations and powerful people with deep pockets will never sustain the type of journalism we exist to do. The only investors who won’t let independent, investigative journalism down are the people who actually care about its future—you.

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Getting just 10 percent of the people who care enough about our work to be reading this blurb to part with a few bucks would be utterly transformative for us, and that's very much what we need to keep charging hard in this financially uncertain, high-stakes year.

If you can right now, please support the journalism you get from Mother Jones with a donation at whatever amount works for you. And please do it now, before you move on to whatever you're about to do next and think maybe you'll get to it later, because every gift matters and we really need to see a strong response if we're going to raise the $253,000 we need in less than three weeks.

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