Rock Me Amadeus

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Last week, President Obama awarded San Francisco Symphony conductor Michael Tilson Thomas the National Medal of Arts for his efforts to win over a wider audience for classical music. In our current issue, MTT talks with MJ‘s Clara Jeffery about the philosophy behind his work, his love of nonclassical artists such as James Brown, and experiments such as organizing the first ever YouTube symphony. Check it out. Or take a moment to enjoy these greatest hits of classical music crossover:

1885 The Boston Pops is launched to bring classical music to the masses.

1940 Disney’s Fantasia. Money loser until 1969 re-release makes it a stoner classic.

1957 Elmer Fudd + Wagner = “Kill Da Wabbit.”

1958 Leonard Bernstein conducts his first televised Young People’s Concert.

1968 2001: A Space Odyssey immortalizes Strauss’ Also Sprach Zarathustra.

1976A Fifth of Beethoven” disco remix.

1984 Amadeus wins eight Oscars.

1990 The Three Tenors storm charts.

1998 Georgia aims for “Mozart effect” by giving new moms classical CDs.

2002 Nas samples Beethoven’s “Für Elise.”

2007 BBC launches a reality show to reclaim classical music from “posh old white people.”

2009 YouTube Symphony Orchestra and MTT play Carnegie Hall

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WE'LL BE BLUNT

It is astonishingly hard keeping a newsroom afloat these days, and we need to raise $253,000 in online donations quickly, by October 7.

The short of it: Last year, we had to cut $1 million from our budget so we could have any chance of breaking even by the time our fiscal year ended in June. And despite a huge rally from so many of you leading up to the deadline, we still came up a bit short on the whole. We can’t let that happen again. We have no wiggle room to begin with, and now we have a hole to dig out of.

Readers also told us to just give it to you straight when we need to ask for your support, and seeing how matter-of-factly explaining our inner workings, our challenges and finances, can bring more of you in has been a real silver lining. So our online membership lead, Brian, lays it all out for you in his personal, insider account (that literally puts his skin in the game!) of how urgent things are right now.

The upshot: Being able to rally $253,000 in donations over these next few weeks is vitally important simply because it is the number that keeps us right on track, helping make sure we don't end up with a bigger gap than can be filled again, helping us avoid any significant (and knowable) cash-flow crunches for now. We used to be more nonchalant about coming up short this time of year, thinking we can make it by the time June rolls around. Not anymore.

Because the in-depth journalism on underreported beats and unique perspectives on the daily news you turn to Mother Jones for is only possible because readers fund us. Corporations and powerful people with deep pockets will never sustain the type of journalism we exist to do. The only investors who won’t let independent, investigative journalism down are the people who actually care about its future—you.

And we need readers to show up for us big time—again.

Getting just 10 percent of the people who care enough about our work to be reading this blurb to part with a few bucks would be utterly transformative for us, and that's very much what we need to keep charging hard in this financially uncertain, high-stakes year.

If you can right now, please support the journalism you get from Mother Jones with a donation at whatever amount works for you. And please do it now, before you move on to whatever you're about to do next and think maybe you'll get to it later, because every gift matters and we really need to see a strong response if we're going to raise the $253,000 we need in less than three weeks.

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