“Return of the Jedi” is the Best Star Wars Movie of All Time

Have you ever had the experience of blurting out a secret shame and then discovering that other people shared your secret? None of them were willing to talk about it either, and you all thought you were alone. But it’s not true. It turns out you have friends after all.

No, I’m not confessing to being a Justin Bieber fan. But I do think that Return of the Jedi is the best of the six Star Wars movies. Yesterday I tweeted this, and the torrent of abuse was immediate.  @AdamSerwer: “This is crazy. Empire is the best by leaps and bounds, even the Vader/Luke fight is better.” @drgrist: “The world demands a @kdrum post justifying his absurd ranking of Return of the Jedi above Empire.” @jbouie: “Empire is unquestionably the best film. Really, ROTJ? No way. No how.” @ChrisWKelly: “For me, ‘Jedi’ was so awful that it kept me from even bothering with the prequels.”

But I wasn’t completely alone. “Are we tweeting about how Return of the Jedi is our favorite star wars movie?” asked @kombiz warily. “I agree, didn’t know i could say it publicly.”

Well, you can! Just because everyone has been telling you for years that The Empire Strikes Back was the best of the original trilogy doesn’t mean you have to keep quiet and knuckle under to the mob. That’s what Goebbels counted on, right? So say it proudly: Return of the Jedi is the best of the six Star Wars movies! Come out of the closet!

And now, in the spirit of all those counterintuitive essays that Slate is so famous for, here’s why. But first, a bit of throat clearing. In any trilogy, the first and last episodes have a built-in advantage. The first episode gets to introduce the setting and it gets to introduce all the characters and all the themes. Learning about the Force for the first time is just unbeatable. And the last episode gets to wrap everything up. If you do a good job of it, that’s unbeatable too. The middle piece, though, can be a real slog. We already know all the characters and we’re not going to get a resolution. Just lots of exposition.

So the middle part is really hard. To borrow a phrase, it has a very high degree of difficulty. And if you count that, maybe Empire was a better movie than the others. We got a great new character in Yoda and a great new theme in the Luke/Vader relationship. Given the hurdles it had to overcome, it was a helluva good film.

But resolving an epic tale satisfyingly is pretty hard too, and on an absolute scale I still think Jedi is underrated. So now, with my throat clearing out of the way, let’s dive right in and address the elephant in the film: Ewoks. You hate them. I hate them. Everyone hates them. But don’t let that blind you. The truth is that there’s less of them than you think. There are, basically, two extended Ewok sequences. The first, when the Ewoks capture Luke and Han, is inexcusable. I won’t even try. But it’s only ten minutes of a two-hour movie. The second sequence is the battle for the shield generator station, and in that one the Ewoks really don’t matter. It’s a set-piece fight, and the Ewoks are just the extras — small, furry extras, but still extras. Ignore them. If someone recut the film to excise most of the first, infuriating Ewok sequence, I honestly think a lot of people would see the rest of it in a whole different light.

So the Ewoks aren’t enough to ruin the film. But what makes it great? For starters, there’s the start. The introductory sequence where Darth Vader pays a visit to the new Death Star is riveting, and its closing line — “The emperor is not as forgiving as I am” — pitch-perfect and perfectly delivered by James Earl Jones — is one of the best of the entire trilogy. What a way to pull you in!

And then there’s the extended opening sequence on Tatooine. This is just great filmmaking. It’s fast-paced, it advances multiple story elements effortlessly, it provides plenty of surprises, and it does a superb job of showing off Luke’s maturing talents. Anyone who isn’t fully engaged in this film after its first half hour has no business being in the theater in the first place.

And there’s more. Visually, Jedi is far and away the best of the Star Wars movies. Face it: Hoth and Dagobah and the Cloud City were kind of meh, visually. And in movies like this, that matters. But Jedi has stunning visuals everywhere. It might not be easy to remember at this late date, for example, but the speeder chase on the forest moon was pretty spectacular in 1983. Hell, it’s not bad now. The Death Star is gorgeous, and the emperor’s throne room is a masterpiece of lighting and set design. The night sequences in the tree city are beautiful. The whole movie is a visual feast.

The arc of the story is completely engaging too. There’s the Luke story, the Han/Leia story, and, of course, the Darth Vader story. There are a hundred ways any of these could have been bungled (cf. the entire prequel trilogy), but they weren’t. Take the treetop scene between Luke, Leia, and Han. This had to happen. We all knew it was going to happen. Any false notes would have wrecked it, but there weren’t any false notes. Mark Hamill, granted, is not filmdom’s finest actor, but even so the whole sequence plays out fluidly and convincingly. When Luke tells Leia she’s his sister, what should she say? The answer is: “I know. Somehow I’ve always known.” And that’s exactly right. Once she’s said it, you know it’s the only thing she could have said.

And then, finally, there’s the finale. For all its Saturday matinee melodrama — and this is, after all, Star Wars’ heritage — the confrontation between Luke, Vader, and the emperor in the emperor’s throne room is, by a mile, the best extended sequence in any of the movies. The dialog is terrific, the pacing is near-perfect, the visuals are spectacular, and the final metamorphosis of both Luke and Vader — which, again, is really hard to pull off credibly and could have been mishandled in a hundred different ways — was instead pulled off flawlessly. And then, in a mirror image of the movie’s start — a terrific short opening scene followed by a longer introductory sequence — the long final sequence in the throne room is capped off by a shorter final scene on the hangar deck between Luke and Vader. This was a genuinely poignant scene. Even the music was perfect.

And so many great lines in this movie! “This bounty hunter is my kind of scum: fearless and inventive.” “So what I told you was true… from a certain point of view.” “If you will not turn to the Dark Side… then perhaps she will.” “You were right. You were right about me. Tell your sister… you were right.” “Now witness the firepower of this fully ARMED and OPERATIONAL battle station!” “Many Bothans died to bring us this information.” “Strong am I with the Force, but not that strong.” “You want this, don’t you?” “Now you will pay the price for your lack of vision.” “Your overconfidence is your weakness….Your faith in your friends is yours.”

All you have to do is watch Revenge of the Sith to understand just how ineptly a heroic space opera based on elemental clashes can be wrapped up. It’s no mean feat to resolve a story like this in both a narratively convincing and emotionally compelling way, but Return of the Jedi does it, and does it without stinting on the action and without letting the wheels and pulleys show. This is much, much harder than it looks

So put aside your hate! (Of Ewoks.) Instead, do this. Relax. Empty your mind of all Ewok thoughts. Then watch the movie again. At about 1:07, click ahead three chapters. That’s it. Aside from that one ten-minute sequence, the Ewoks are just furry extras, not nearly as annoying as you remember them. And while the first two parts of the original trilogy are great on their own merits, the remaining 117 minutes of Jedi — its visuals, its pacing, its character development, its resolution of all the trilogy’s main themes — make it the best and most satisfying of the bunch.


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