I am continuing to play around with Photoshop’s panorama capability, mainly to figure where it works best and how best to use it. The picture below shows Frank Gehry’s famous Walt Disney Concert Hall in downtown Los Angeles on the right, along with the ongoing construction of The Grand, a billion-dollar mega-development, on the left.

As a photo this isn’t much, but as a demonstration it’s great. This is a full 180-degree view taken from the middle of the crosswalk on Grand Avenue looking south, and there’s no other way to get this view. If you back up—which you can’t anyway—you’ll lose the angle that shows the fronts of both buildings. If you don’t back up, you can’t include the whole scene even with an extreme wide-angle lens. You could do it from the Goodyear blimp, I suppose, but only if you happen to have the pull to get a ride.¹

As always with any extreme wide-angle shot, the price you pay is distortion. You can fix a lot of it, but never all of it. Grand Avenue, for example, is a straight line but displays as curved. The near building under construction is obviously distorted even though I corrected much of it. And the concert hall—well, it’s such a mish-mash of curves and angles that you can’t tell if it’s distorted or not. In any case, this picture provides a good view of what’s actually going on, something that’s all but impossible to get any other way.

¹If you do, please let me know. I’d love to get a ride on the Goodyear blimp.

September 19, 2020 — Los Angeles, California

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WE'LL BE BLUNT

It is astonishingly hard keeping a newsroom afloat these days, and we need to raise $253,000 in online donations quickly, by October 7.

The short of it: Last year, we had to cut $1 million from our budget so we could have any chance of breaking even by the time our fiscal year ended in June. And despite a huge rally from so many of you leading up to the deadline, we still came up a bit short on the whole. We can’t let that happen again. We have no wiggle room to begin with, and now we have a hole to dig out of.

Readers also told us to just give it to you straight when we need to ask for your support, and seeing how matter-of-factly explaining our inner workings, our challenges and finances, can bring more of you in has been a real silver lining. So our online membership lead, Brian, lays it all out for you in his personal, insider account (that literally puts his skin in the game!) of how urgent things are right now.

The upshot: Being able to rally $253,000 in donations over these next few weeks is vitally important simply because it is the number that keeps us right on track, helping make sure we don't end up with a bigger gap than can be filled again, helping us avoid any significant (and knowable) cash-flow crunches for now. We used to be more nonchalant about coming up short this time of year, thinking we can make it by the time June rolls around. Not anymore.

Because the in-depth journalism on underreported beats and unique perspectives on the daily news you turn to Mother Jones for is only possible because readers fund us. Corporations and powerful people with deep pockets will never sustain the type of journalism we exist to do. The only investors who won’t let independent, investigative journalism down are the people who actually care about its future—you.

And we need readers to show up for us big time—again.

Getting just 10 percent of the people who care enough about our work to be reading this blurb to part with a few bucks would be utterly transformative for us, and that's very much what we need to keep charging hard in this financially uncertain, high-stakes year.

If you can right now, please support the journalism you get from Mother Jones with a donation at whatever amount works for you. And please do it now, before you move on to whatever you're about to do next and think maybe you'll get to it later, because every gift matters and we really need to see a strong response if we're going to raise the $253,000 we need in less than three weeks.

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