Lil Wayne Breaks “A Milli”

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mojo-photo-lilwaynesm.jpgTake that, internet naysayers: Lil Wayne’s new album Tha Carter III has sold over 1 million copies in the US in its first week, the first time such a figure has been reached since 50 Cent’s The Massacre way back in early 2005. Since Wayne has been, shall we say, slatternly when it comes to online mixtapes and file-sharing downloads, the press seems astonished: why are people buying CDs from an artist with so much free stuff out there? The New York Times even set up the dichotomy in the headline, proclaiming that “Despite Leaks Online and File Sharing, Lil Wayne’s New CD is a Hit.” Maybe they should change that “despite” to a “because”? As file-sharing tracker BigChampagne CEO Eric Garland says in the article, fans who download Lil Wayne grab an average of ten of his tracks (as opposed to two for other artists) and “while people who like an individual song are not going to open their wallets for you, people who like 10 songs will.” So having a prodigious amount of your work out there for people to hear may actually help you sell more CDs? Karrr-azy!

Although, as Vulture points out, people may just like candy-themed oral sex metaphors, as both The Massacre and Tha Carter III feature lead singles that “compared a sexual act to the consumption of lollipops.” Although if that’s the case, why wasn’t Lil’ Kim’s “How Many Licks” a smash?

After the jump: Was Party Ben wrong about Tha Carter III?

Either way, Tha Carter III is getting much better reviews around the intertubes than I gave it here, an 8.7 from Pitchfork, an “oh my god it’s so good” from Stereogum, 4.5/5 stars from Rolling Stone. I have to admit that I’m enjoying it a bit more than I expected to this week, and I think I made a bit of a journalistic error in my review, criticizing the album for what it isn’t (i.e., a mixtape) rather than what it is, making it more about my expectations than the work itself. Even the retro-smooth “Comfortable” is getting stuck in my head. I have noticed an odd trend, though: why is it that critics and sites like Pitchfork seem to evidence one relationship of rating-to-popularity for hip-hop, and the inverse relationship for all other music? What I mean is, their best-reviewed hip-hop albums are also the biggest-selling (see, for instance, Kanye West, who also got an 8.7, coincidentally), whereas the other CDs Pitchfork liked this year are about as obscure as can be: Hercules & Love Affair, Fleet Foxes, No Age. Somehow, hip-hop artists can sell a million CDs and still be worthy of our attention, unlike, apparently, every other musical genre. How do they do it?

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Reclaiming power from those who abuse it often starts with telling the truth. And in "This Is How Authoritarians Get Defeated," MoJo's Monika Bauerlein unpacks six truths to remember during the homestretch of an election where democracy, truth, and decency are on the line.

Truth #1: The chaos is the point.

Truth #2: Team Reality is bigger than it seems.

Truth #3: Facebook owns this.

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SIX TRUTHS

Reclaiming power from those who abuse it often starts with telling the truth. And in "This Is How Authoritarians Get Defeated," MoJo's Monika Bauerlein unpacks six truths to remember during the homestretch of an election where democracy, truth, and decency are on the line.

Truth #1: The chaos is the point.

Truth #2: Team Reality is bigger than it seems.

Truth #3: Facebook owns this.

Truth #4: When we go to work, we're in the fight.

Truth #5: It's about minority rule.

Truth #6: The only thing that can save us is…us.

Please take a moment to see how all these truths add up, because what happens in the weeks and months ahead will reverberate for at least a generation and we better be prepared.

And if you think journalism like Mother Jones'—that calls it like it is, that will never acquiesce to power, that looks where others don't—can help guide us through this historic, high-stakes moment, and you're able to right now, please help us reach our $350,000 goal by October 31 with a donation today. It's all hands on deck for democracy.

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